SDA-WA Member Activities September

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Caryl Bryer Fallert-Gentry Open Studio

Caryl Bryer Fallert-Gentry will have her Port Townsend (WA) studio open and her fine art quilts on display August 26 to 27, 2017, 10 a.m.–4 p.m.

In addition, Ron Gentry will have some of his photography on display and while you are there, you will be able to enjoy Ron and Caryl’s personal collection of quilts and art by other artists.

This is same weekend as the Port Townsend Studio tours, so you will have a chance to see many other studios on the same weekend.

Caryl Bryer Fallert-Gentry Open Studio
10 Baycliff Place
Port Townsend, WA 98368
Printable Invitation
Directions & Map


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Barbara De Pirro Upcoming Classes

Textural Surfaces
On Saturday, August 26, Barbara De Pirro will be teaching a “Textural Surfaces” workshop in Seattle, a full-day class. She’ll be bringing an assortment of grounds, pastes and gels for each student to explore. All Golden products and most tools/materials are provided. These are some of the products we’ll be exploring in the class: Gesso, Absorbent Ground, Pastel Ground, Lt. Molding Paste, Coarse Molding Paste, Molding Paste, Fiber Paste, Crackle Paste, Glass Bead Gel.

August 26, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration

$100

Painted Papers for Collage
Create your own hand painted papers for collage, book arts and cards! There are many different ways to create pattern and texture on paper; stenciling, stamping, masking, combing, dabbling, dry brush, splatter, drip and drizzle… to name a few. You will explore these methods using acrylic paints in combination with a range of acrylic mediums and gels. Get ready to make your own sumptuous one-of-a-kind papers during this playfully productive workshop!

September 3, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration
$100
GoldenAcrylics

GOLDEN LECTURE: Printmaking with Acrylics
Join us for a lecture and demonstration of Printmaking techniques using GOLDEN Acrylics. We will show you many stress free printmaking techniques, no press required. We will provide an overview of the many surfaces available for printing, as well as the array of GOLDEN Acrylic Paints that are suitable for making multiple prints. Attendees leave with new creative possibilities and ideas for small prints, greeting cards, journaling, fabric applications, as well as techniques for larger professional applications. Attendees will receive Information packets and free samples.

September 9, 1–3
Artist & Craftsman
616 St Helens Ave, Tacoma, WA
ONLINE Registration
FREE

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Printmaking with Acrylics
Learn the basics of creating monotype, collagraph and relief printed images. All of these methods create unique results; the pressure of printing creates texture and pattern not possible when painting directly on paper. You will explore techniques of transferring imagery without a press, using water based media, acrylic paints and slow drying mediums. The actual process of creating each print encourages spontaneity and openness to fresh unexpected results. Create art that can stand on its own or a supply of prints, ideal for mixed media compositions.

September 24, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration
$100

 

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Image Transfers & Acrylic Skins
Discover the range of acrylic gels and mediums that can be used to create image transfers. Explore how to transfer laser copies of your own artwork, drawings or photographs onto the surface of your paintings or collages. Learn how to create Image Transfer Skins and Paint Skins. Gain a broad understanding of product, material, method, tips and tricks. These techniques are an excellent way to develop transparent and translucent imagery, text and texture, incorporating layers into your paintings, collages or mixed media works.

October 7, 11–5
Schack Art Center
2921 Hoyt Avenue, Everett, WA
Contact for Registration (425) 259-5050 or ONLINE
$110

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GOLDEN LECTURE: Mixed Media
A lecture for all levels and backgrounds, from painters, mixed media, fiber to sculptural artists… ideas for all! This presentation covers a wide variety of techniques for use in a wide range of media. Learn about GOLDEN Acrylic paints, gels, mediums and grounds, plus QoR Watercolors. This is a great place for beginners and experienced artists alike to learn new techniques and be inspired by innovative applications. Attendees will receive Information packets and free samples.

August 20, 1–3
Schack Art Center
2921 Hoyt Avenue, Everett, WA
Contact for Registration: (425) 259-5050
FREE
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September 13, 6–8:30
Peninsula Arts Association
2621 John’s Prairie Rd. (P.U.D. # 3), Shelton, WA
ONLINE Registration
FREE
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September 16, 1–3
Allied Arts Association
89 Lee Boulevard, Richland, WA
Contact for Registration (509) 943-9815, info@galleryatthepark.org or ONLINE
FREE
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All products graciously provided by Golden Artist Colors for all workshops.
Supply list provided upon registration.
Contact for Registration: depirro@earthlink.net
For more info: http://www.depirro.com/


Mary Ashton Papermaking Classes

Mary Ashton Studio has newly added papermaking classes in September.

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Introduction to Western Papermaking
Using Western-European papermaking techniques, students will explore variations on traditional vat sheet forming.  Discussions will include various equipment, ways of making pulp, recycling, inclusions, layering, making large sheets from small frame and intro to three-dimensional techniques.
2 days | Sept 2, 3 | 9:30 a.m.–4:00 p.m. | $175

 

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Pulp Painting and Big Paper
Pulp painting is a form of painting paper on paper. Paper pulp, usually cotton, is overbeaten to make a fine slurry which is then pigmented to form a personal palette. These specially pigmented pulps are applied to a freshly pulled sheet of paper using a variety of techniques to execute the desired effect or image. The painting can be very abstract or very exacting depending upon the tools used. Application can be free hand or with the aid of tools, stencils, monoprints and a variety of additives. It is very fluid and rather that a work on paper, the image is the final work of paper. The result may be complete or the pulp painting may be augmented by printmaking, collage or any other technique that might be enjoyed by the artist. It is a great crossover technique to expand an artist’s skills.
2 days | Sept 3, 4 | 9:30 a.m.–4:00 p.m. | $175

All classes have a materials fee of $25. Classes are held at the Seattle studio in the University/Roosevelt area (directions are sent prior to class). All papermaking classes are limited to six students. For registration, contact Mary Ashton (email: maryashtonstudio at earthlink.net) with your name and telephone number.

 

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