SDA-WA Member Activities November

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“Please Touch” Exhibit in Seattle

Mount Baker Neighborhood Center for the Arts
October 5–28

A/NT Gallery Seattle Center
November 4–27

SDA-WA members Terry Berg, Barbara O’Steen, Therese Stein and Becky Wachtman have pieces in “Please Touch: A Tactile Art Exhibition at Mount Baker Neighborhood Center for the Arts. The reception was October 13.

An “Arpilleras” exhibit is also on display to touch. Fresia Valdivia, assisted by SDA member Terry Berg, taught a group of women every Saturday for 12 weeks to choose recycled materials, design, hand sew and embellish 18 x 18 fabric squares. Each woman interpreted and translated photos from the January 21 Women’s March into social justice statements.

Mount Baker Neighborhood Center for the Arts
2919 Rainier Ave
Seattle, WA 98144

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“Ceremonial Object” by Therese Stein

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“Welcome” by Becky Wachtman


 

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“I Love You Are You Okay” by Cicelia Ross-Gotta​

Cicelia Ross-Gotta at Gramma Poetry

Gramma Poetry
October–November

Also starting Thursday, October 5, SDA member Cicelia Ross-Gotta​ had an opening at Gramma Poetry for the exhibition of “I Love You Are You Okay,” her 2017 University of Washington Sculpture MFA thesis installation.

The installation will be up through October and November, with a collaborative performative event happening with/around the installation at Gramma Poetry Saturday, November 11 with artist Michael Swaine. Her installation and statement are featured here, on Gramma weekly.

Gramma Poetry
300 S. Washington St., Unit Z
Seattle, WA 98104


 

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“Fossil Fantasy #1” by Caryl Bryer Fallert-Gentry

Caryl Bryer Fallert-Gentry Quilt Presentation in Port Angeles

On October 15, SDA-WA member Caryl Bryer Fallert-Gentry presented “Fine Art Quilts: Inspiration, Creative Process & Techniques” at Port Angeles Fine Arts Center.

This was in conjunction with the current SDA-North Peninsula chapter show “Fibe(R)evolution,” at the Port Angeles Fine Arts Center through November 15.

Port Angeles Fine Arts Center
1203 E. Lauridsen Blvd.
Port Angeles, WA 98362
http://www.pafac.org/
360-457-3532

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Caryl Bryer Fallert-Gentry


 

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“Ebey Slough” by Tesi Vaara

Tesi Vaara on Create Whimsy

SDA-WA member Tesi Vaara was recently interviewed by Create Whimsy, Lynn Woll and Chardel Blaine’s blog that shares “the stories of makers, and what they make, inspiring creativity in our everyday live.” Interview here.


 

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A recent Lois Gaylord show booth in Portland

Lois Gaylord at Seattle Weavers’ Guild Annual Show & Sale

Seattle Weavers’ Guild Show & Sale
St. Mark’s Cathedral
October 26–28

SDA member Lois Gaylord will be vending at the Seattle Weavers’ Guild Annual Show & Sale. Proceeds from the sale are used to fund the guild’s volunteer outreach program and to bring internationally-known artists to Seattle to educate members of the guild and the public.

Thursday, October 26
5 pm – 8 pm
Friday, October 27
10 am – 8 pm
Saturday, October 28
10 am – 5 pm

St. Mark’s Cathedral in Capitol Hill
Lower Level, Bloedel Hall
1245 10th Avenue East
Seattle, WA 98121

Parking and entrance to the sale are free. Enter at the back of the parking lot.


 

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“Royal Brushlets” by Danielle Bodine. 21″ & 22″H x 2.5″D. Cast mulberry paper, brushes, coiled waxed linen, beads.
(Photo: Michael Stadler)

MUSEO Gallery Gift Show 2017

MUSEO
November–December
Reception: Saturday, November 4, 5–7 p.m.

SDA-WA members Danielle Bodine, Nancy Loorem and Teri Jo Summer will be exhibiting their artwork along with other gallery artists in the Whidbey Island MUSEO Annual Holiday Gift Show “Gifts Large and Small.” The opening reception will be Saturday, November 4, 5–7 p.m.

MUSEO
215 First Street
Langley, WA 98260
360.221.7737
http://www.museo.cc


 

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“Lost Count” by Cheri Kopp

Cheri Kopp Collage Workshop in Port Townsend

Port Townsend School of the Arts
November 18–19, 10 a.m.–2 p.m.

SDA-North Peninsula member and visual artist Cheri Kopp is leading a workshop designed to exercise your creative muscle via series of process-based exercises. Explore your creative process with an immersive weekend class on the Olympic Peninsula.

Drawing on her love of cast-off materials, and incorporating stitching, Cheri will lead participants in exploration of a materials-based art-making process. Using simple resources – scissors, tape and paperboard packaging (cereal boxes, etc.) – and repurposing words and images intended to market products, you’ll find your own messages, creating a series of small collages.

Learn more and register here: https://ptschoolofthearts.org/classes/collage-studies-with-cheri-kopp-november  All materials, supplies and tools provided. Contact Cheri with questions: studio@cherikopp.com.

Port Townsend School of the Arts
Building 306
Fort Worden campus
Port Townsend

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“Perpetual Mourning” by Cheri Kopp


 

Barbara De Pirro Current and Upcoming Events

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“Nests” in Shoreline
August–December

A temporary environmental installation within an urban forest in Washington state. These 30 sculptures are woven out of the invasive ivy that strangles both our urban & rural forests. Each nest has then been harmoniously installed throughout South Woods Park in Shoreline.

South Woods Park
2210 NE 150th St, Shoreline, WA
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“Bloom” at Sally D. Francisco Gallery
Peters Valley School of Craft, Layton, New Jersey
September 16–October 29

Society of Arts + Crafts, Boston, Massachusetts
March 29 – June 9, 2018

“Bloom” is traveling the country as part of the National Basketry Organization’s “All Things Considered: Basketry in the 21st Century” show. It is the ninth in a series of juried biennial exhibitions intended to show the full spectrum of work currently being executed by well-known and emerging artists in the United States. From black bamboo to reclaimed plastics, the 70 artworks included in the show represent a broad range of approaches by artists working within the field of contemporary basketry.
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Artistry in Fiber, Vol. 2
Several of Barbara’s pieces are featured in Artistry in Fiber, Vol. 2: Sculpture by Anne Lee and E. Ashley Rooney, published by Schiffer Publishing Ltd. The three volumes in this series on fiber art are available on the Schiffer Publishing website.
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Upcoming at the Seattle Center
Seattle Center Poetry Garden Art Series
Poetry Garden, Seattle Center
305 Harrison Street, Seattle WA
November 2017–January 2018
Seattle Center, in collaboration with the Seattle Office of Arts & Culture, is bringing temporary art installations to their campus with the “Seattle Center Poetry Garden Art” Series. They have invited Barbara De Pirro and four other artists to create works specifically designed for their Poetry Garden centered on the theme of “Seattle Center Festál 20.” Festál at Seattle Center is a free series of annual ethnically-related festivals, and it is celebrating its 20th anniversary this year.

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An example of joomchi paper

Joomchi with Zia Gipson on Whidbey Island

Pacific NorthWest Art School
April 28–29, 2018

9 a.m.–4 p.m.
$330This is an introductory to advanced course taught by SDA-WA member Zia Gipson in the ancient Korean technique of joomchi or felted paper. In this context the word ‘felted’ means that this method of fusing papers uses some of the same hand tools and styles of manipulation that one can use in making felt from wool fiber. In both cases, the main tools are the hands and water. Having studied papermaking for several years and traveled extensively in Asia I will also talk about the uses of paper in traditional rural societies in Korea and Japan.

The full two days will include a history of hand paper making using long fiber papers especially mulberry fiber as it is still practiced around the world. We’ll build collages without glue or other usual methods of adhesion, relying instead on the natural process of papermaking. Once we’ve worked our paper by rolling and by hand we can shape the papers into a three-dimensional form or cast the assembled layers into strong, stiff shapes. We’ll explore the options for final texture from a soft, fabric like finished product to a stiff, highly crumpled sheet. Color in your composition will come via the dyes in the long fiber papers you use or in surface design at any stage of the process… as always color and pattern can be an important or subtle element in your composition. What you will do with the finished felted paper is up to you… shape into jewelry or a vessel and prepare for hanging on the wall. Register here.


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Sculpted Hats Class with Flóra Carlile-Kovács

Flóra Carlile-Kovács Felting Classes at Pacific NorthWest Art School

Sculpted Hats
April 4–6, 2018
$455.00
In this workshop, Flóra will teach you how to push the boundaries of the felt hat making process. We’ll construct a complex resist template and learn about layering techniques that serves our goals the best, building in extra parts that will affect the shrinkage and the final shape. Additional techniques will be taught, when and how to add more details to the piece. There will be an emphasis on final shaping and finishing. Experience level: from advanced beginners to advanced. Register here.
Felted Bag with Woven Inlay
September 13–14, 2018
$325.00
In this workshop, Flóra will teach you how to marry weaving and felt-making, highlighting both technique’s nature in just one object. On day one, we’ll make samples of the variations of the technique. You’ll learn the way to create round cords and flat straps and experiment with different weaving techniques embedded in felt. On the second day you’ll felt a seamless bag with a woven design. Register here.
Troubleshooting in Wet Felt-Making: Advanced Felt-Saving Techniques
September 12, 2018
$170.00
When to use bubble wrap, when to use a rug liner, when to use a drop-cloth or a sheet in felt making? Have you ever felted a piece and you thought it wasn’t successful? Did the silk not stick to the wool? Did you cut the wrong side of the slippers? Are the edges of the felt ruffly and uneven? Did the embellishments separate from the felt? Did the design not turn out the way it was planned? Have you ever started a project but did not really have the time to finish up?In this workshop, Flóra gathered a variety of felt-saving techniques, that are usually the highlights of different workshops. Several tools and techniques will be introduced for troubleshooting accidents of all kinds, that might happen during felt making. Bring your unfinished/unsuccessful piece(s) to the class. We’ll group the items with similarities and discuss all the possibilities to save the piece(s) and give it/them a new life. After the group discussion everyone get’s to work on their own, with more one-on-one counseling. We’ll take photos of the projects at the beginning and at the end of the class. Register here.

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Felted bag class with Flóra Carlile-Kovács

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SDA-WA Member Activities September

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Caryl Bryer Fallert-Gentry Open Studio

Caryl Bryer Fallert-Gentry will have her Port Townsend (WA) studio open and her fine art quilts on display August 26 to 27, 2017, 10 a.m.–4 p.m.

In addition, Ron Gentry will have some of his photography on display and while you are there, you will be able to enjoy Ron and Caryl’s personal collection of quilts and art by other artists.

This is same weekend as the Port Townsend Studio tours, so you will have a chance to see many other studios on the same weekend.

Caryl Bryer Fallert-Gentry Open Studio
10 Baycliff Place
Port Townsend, WA 98368
Printable Invitation
Directions & Map


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Barbara De Pirro Upcoming Classes

Textural Surfaces
On Saturday, August 26, Barbara De Pirro will be teaching a “Textural Surfaces” workshop in Seattle, a full-day class. She’ll be bringing an assortment of grounds, pastes and gels for each student to explore. All Golden products and most tools/materials are provided. These are some of the products we’ll be exploring in the class: Gesso, Absorbent Ground, Pastel Ground, Lt. Molding Paste, Coarse Molding Paste, Molding Paste, Fiber Paste, Crackle Paste, Glass Bead Gel.

August 26, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration

$100

Painted Papers for Collage
Create your own hand painted papers for collage, book arts and cards! There are many different ways to create pattern and texture on paper; stenciling, stamping, masking, combing, dabbling, dry brush, splatter, drip and drizzle… to name a few. You will explore these methods using acrylic paints in combination with a range of acrylic mediums and gels. Get ready to make your own sumptuous one-of-a-kind papers during this playfully productive workshop!

September 3, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration
$100
GoldenAcrylics

GOLDEN LECTURE: Printmaking with Acrylics
Join us for a lecture and demonstration of Printmaking techniques using GOLDEN Acrylics. We will show you many stress free printmaking techniques, no press required. We will provide an overview of the many surfaces available for printing, as well as the array of GOLDEN Acrylic Paints that are suitable for making multiple prints. Attendees leave with new creative possibilities and ideas for small prints, greeting cards, journaling, fabric applications, as well as techniques for larger professional applications. Attendees will receive Information packets and free samples.

September 9, 1–3
Artist & Craftsman
616 St Helens Ave, Tacoma, WA
ONLINE Registration
FREE

………
Printmaking with Acrylics
Learn the basics of creating monotype, collagraph and relief printed images. All of these methods create unique results; the pressure of printing creates texture and pattern not possible when painting directly on paper. You will explore techniques of transferring imagery without a press, using water based media, acrylic paints and slow drying mediums. The actual process of creating each print encourages spontaneity and openness to fresh unexpected results. Create art that can stand on its own or a supply of prints, ideal for mixed media compositions.

September 24, 11–4
Artist & Craftsman
4350 8th Avenue NE, Seattle, WA
ONLINE Registration
$100

 

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Image Transfers & Acrylic Skins
Discover the range of acrylic gels and mediums that can be used to create image transfers. Explore how to transfer laser copies of your own artwork, drawings or photographs onto the surface of your paintings or collages. Learn how to create Image Transfer Skins and Paint Skins. Gain a broad understanding of product, material, method, tips and tricks. These techniques are an excellent way to develop transparent and translucent imagery, text and texture, incorporating layers into your paintings, collages or mixed media works.

October 7, 11–5
Schack Art Center
2921 Hoyt Avenue, Everett, WA
Contact for Registration (425) 259-5050 or ONLINE
$110

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GOLDEN LECTURE: Mixed Media
A lecture for all levels and backgrounds, from painters, mixed media, fiber to sculptural artists… ideas for all! This presentation covers a wide variety of techniques for use in a wide range of media. Learn about GOLDEN Acrylic paints, gels, mediums and grounds, plus QoR Watercolors. This is a great place for beginners and experienced artists alike to learn new techniques and be inspired by innovative applications. Attendees will receive Information packets and free samples.

August 20, 1–3
Schack Art Center
2921 Hoyt Avenue, Everett, WA
Contact for Registration: (425) 259-5050
FREE
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September 13, 6–8:30
Peninsula Arts Association
2621 John’s Prairie Rd. (P.U.D. # 3), Shelton, WA
ONLINE Registration
FREE
………
September 16, 1–3
Allied Arts Association
89 Lee Boulevard, Richland, WA
Contact for Registration (509) 943-9815, info@galleryatthepark.org or ONLINE
FREE
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All products graciously provided by Golden Artist Colors for all workshops.
Supply list provided upon registration.
Contact for Registration: depirro@earthlink.net
For more info: http://www.depirro.com/


Mary Ashton Papermaking Classes

Mary Ashton Studio has newly added papermaking classes in September.

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Introduction to Western Papermaking
Using Western-European papermaking techniques, students will explore variations on traditional vat sheet forming.  Discussions will include various equipment, ways of making pulp, recycling, inclusions, layering, making large sheets from small frame and intro to three-dimensional techniques.
2 days | Sept 2, 3 | 9:30 a.m.–4:00 p.m. | $175

 

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Pulp Painting and Big Paper
Pulp painting is a form of painting paper on paper. Paper pulp, usually cotton, is overbeaten to make a fine slurry which is then pigmented to form a personal palette. These specially pigmented pulps are applied to a freshly pulled sheet of paper using a variety of techniques to execute the desired effect or image. The painting can be very abstract or very exacting depending upon the tools used. Application can be free hand or with the aid of tools, stencils, monoprints and a variety of additives. It is very fluid and rather that a work on paper, the image is the final work of paper. The result may be complete or the pulp painting may be augmented by printmaking, collage or any other technique that might be enjoyed by the artist. It is a great crossover technique to expand an artist’s skills.
2 days | Sept 3, 4 | 9:30 a.m.–4:00 p.m. | $175

All classes have a materials fee of $25. Classes are held at the Seattle studio in the University/Roosevelt area (directions are sent prior to class). All papermaking classes are limited to six students. For registration, contact Mary Ashton (email: maryashtonstudio at earthlink.net) with your name and telephone number.

 

Fiber Fusion Artists’ Talk Sunday

Our very successful traveling exhibition, Fiber Fusion, is now at the halfway point. It opened at the Northwind Arts Center in Port Townsend on February 2.

If you haven’t seen it yet, you are in for a treat—a great number of beautiful, intriguing, witty and questioning works in fiber! In neutral to vibrant colors! In all sizes! 2- and  3-D!

As part of the exhibition, you are invited to an artists’ talk and presentation on Sunday, February 12 from 1 to 2 p.m.

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Cloth, Shadow, Line by Joyce Wilkerson

Joyce Wilkerson will tell us about her work “Cloth, Shadow, Line,” which pairs a textile fragment with a photograph. Joyce is primarily a weaver, and is also interested in printmaking and photography. In her work, she explores the greater whole created by the dialogue between the media.

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11-13-15 Dinner at La Belle Equipe Smoke Dress by Jeannie McMacken

Jeannie McMacken will introduce us to her ephemeral piece, “11-13-15  Dinner at La Belle Equipe Smoke Dress.” This is Jeannie’s emotional response to the recent terrorist attack in Paris. To express her horror and grief Jeannie experimented with unexpected materials, and presents us with a very moving work.

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Zambia by Judith Bird

Judith Bird will describe the making of her piece “Zambia,” which combines two surfaces, one a handwoven and one a silk fabric, both dyed in contemporary interpretations of Japanese shibori techniques.

We look forward to seeing you at the artists’ talk!

September 18-20 Textile Artist Events!

The Gail Harker Center for Creative Arts is celebrating its 20th Anniversary and is hosting a full weekend of events (most are free) next week.  The juried art show includes work of many members of SDA WA, all of whom are or have been students at the Center.  It is being held at 708 S. First St, La Conner (across from Earthenworks Gallery) from 11-5 pm Friday, Saturday, and Sunday.  The La Conner Quilt & Textile Museum is also hosting an exhibition of 7 graduate students of the Gail Harker Center called “Celebrating 20 Years of Art” on the 1st and 3rd floors  (running through October 4.)

Tanita_mayer_lecturehe weekend’s events are launched with Keynote Speaker, Anita Luvera Mayer, at the Museum of Modern Art (MONA) in La Conner at 121 S. First St.  Anita will be tracing her personal journey in creating textiles with a talk, slide presentation and Style show.  Anita is an internationally recognized weaver, clothing designer, versatile fiber artist, instructor and author.  She will show some of her original designs, inspired by ethnic and historic garments.  The $25 ticket for this evening includes hors d’oeuvres and a cash wine bar will be available.  Information and tickets are available at https://ghcsc.worldsecuresystems.com/store/reception-and-keynote-speaker-anita-luvera-mayer-at-mona

FREE EVENTS:

Saturday September 19

10:00 – 6:00 Exhibition and Retrospective: The Art of Sandy Little

10:15 am Commemoration of Sandy Little’s Life and Art

10:00-11:00 Artist in Residence: Barbara Gilbert – Little Stab Stitches-Exploring Sashiko

11:00-12:00 *Presentation by Marie Plakos: Photography Inspires My Textile Art

DZibrik_seedpods1:00-2:00 Artists in Residence: Deborah Zibrik – Bugs in Motion, Lisa Harkins – Stumpwork Embroidery

2:00-3:00 *Presentation by Wendy MacKinnon & Susan Lenarz: Between the Covers

3:15-4:15 Artists in Residence: Wendy MacKinnon & Susan Lenarz – Bookbinding Demonstration

4:30-5:30 *Presentation by Maria Winner: My Life Reflects My Art

Sunday September 20

10:00-4:00  Exhibition and Retrospective: The Art of Sandy Little

10:00 – 11:00 Artist in Residence: Maria Patrizzi – Handcast Paper

11:00 – 12:00 *Presentation by Gwen Lowery: Painting the Universe

1:00 – 4:00 Community Appreciation Afternoon

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* The four Presentations have limited seating, so please register in advance at:  http://www.gailcreativestudies.com/announcements/20th-anniversary-reservations-for-presentations

Both Maria Winner and Gwen Lowery, speaking at the events, are WA SDA members.

For more information or a full brochure of events, go to: http://www.gailcreativestudies.com/ and scroll down to “Upcoming Events”.

The Art of Recycling – Group Exhibit

Cyndi Wolfe, My Carbon Footprint

Cyndi Wolfe, My Carbon Footprint

Gay Jensen, The Recycler

Gay Jensen, The Recycler

The Art of Recycling Exhibit at the Arts of Kenmore Galley at Kenmore City Hall features the work of 10 artists. Showcasing art representing a wide range of subject matter and aesthetics made from predominately recycled/repurposed materials, this juried exhibit includes the work of two members of SDA WA: Cyndi Wolfe and Gay Jensen. In choosing the 19 artworks included in this exhibit, the jury looked for overall artistic excellence, paying special attention to composition/design, focal point, originality, artistry, and skillful application. There will be an Artist Talk given by Gay Jensen at 7pm during the opening reception on February 27th. Members of SDA WA are encouraged to attend!

Location: Arts of Kenmore Gallery at Kenmore City Hall, 18120 68th Ave NE, Kenmore, WA 98028
Date/Time: February 27-April 30, 2015. Opening Reception: Friday February 27, 6:30pm-8pm. Ongoing exhibit hours: M-F 9am-5pm.

SDA Contact: Gay Jensen gayjensen@comcast.net

Natural colors and even more…

Michel Garcia’s  Natural colors and even more,’ lecture will be held Thursday, July 17th from 7-8 at the Center for Urban Horticulture followed by a catered wine and hors d’oeuvre reception.

Michel Garcia, natural dyeing expert

Michel Garcia, natural dyeing expert

Michel Garcia has unlocked the natural, colorful mystery of plants, through a life-long passion and interest.  In the process he has developed ways to lessen the environmental impact of chemical dyes.  A French National born in Morocco, Garcia is a well–respected botanist, chemist, and naturalist. In addition, he is an artist, author, and curator.

Garcia first discovered natural dyeing as a teenager; his continued study of plants and pigments shaped his focus on “green chemistry.” In 1988, he founded Association Couleur Garance in Lauris, France to promote the study of the unique properties of plants.

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Michel Garcia, Le Jardin Conservatoire des Plantes Tinctorales

In 2002, he established Le Jardin Conservatoire des Plantes Tinctorales, (Botanical Garden of Dye Plants) at the Chateau de Lauris.  Brimming with over 350 varieties of heritage plants used for dyeing and painting, and in the manufacture of inks, cosmetics and food, the garden is an important horticultural resource for botanists, chemists, natural dye researchers and artisans alike.

Garcia uses the garden to investigate and understand the chemistry of specific plant colorants.

His research from original sources on historical 18th and 19th century printed European textiles, and the techniques used to produce them, led him to reinterpret and revise traditional dye methods that are laborious and polluting into alternatives for manufacturing color in ecologically sound and sustainable ways.

Garcia works as a consultant in West Africa, Tunisia, Mexico, United States, Canada, China, Indonesia, and Europe.  He’s written 21 monographs and three books, and is featured in three educational DVDs.

Using proven methods to investigate the complex world of natural dyes, Michel Garcia’s students gain in-depth experience and a new perspective of plants and the indigo vat process.

Natural colors and even more,’ a lecture by Michel Garcia will be held Thursday, July 17th from 7-8 at the Center for Urban Horticulture followed by a catered wine and hors d’oeuvre reception.

Cost of the lecture is $12.  Registration information for the lecture can be found at https://docs.google.com/forms/d/1X8qNRr9kgieT_Mn8TRlnX8XzfMKBQX1zuKQk-4yLF4A/viewform. For more information, please email Barbara Matthews, bjmatthews76@comcast.net

Lecture sponsored by University of Washington School of Art, Surface Design Association of Washington State, and Earthues, a Seattle natural dye company. More information about Michel Garcia can be found at a web site sponsored by Yoshiko Wada http://naturaldyeworkshop.com/.

 

 

Piecing Abstraction with Pat Pauly comes to B.C.

Have you read our latest SDA Journal article on Piecing Abstraction?    Register for a workshop with featured artist, Pat Pauly.  Known for her improvisational technique, Pat uses bold colour and unusual juxtapositions of printed and painted fabric, to create absolutely stunning art.
 
Check out her website: http://www.patpauly.com/index.htm   or enjoy her blog:  http://piecesandresistance.blogspot.com/ 
Recognized as a Quilt National and Quilts=Art=Quilts winner,  SAQA BC has the opportunity to host Pat teach and give her evening lecture coming in October 2014.

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Workshop:  CUTTING UP THE PRETTIES     2 days

$120- current SAQA members,
$140 for all others
Thurs-Friday Oct 9-10, 2014
10 – 4 each day
Brookswood Seniors Centre,
19899 – 36 Ave, Langley, BC
20 participants max
sponsored by SAQA BC
We all have that great yard of fabric that we purchased, made, traded or were given.  But using it up is sometimes the most difficult thing to do!  Sometimes that fabric just does not “play” well with others.  Pat will show you how to “cut up the pretties” to use that special fabric to its best advantage.  So, gather those great and unique fabrics, in combination with other handmade or commercial fabrics, and explore design and colour in some careful exercises that will give you a road map for creating with one of a kind pieces.  Pat will show various design solutions while you learn a new language in design elements.  This class will teach you to embrace and USE the special fabric we love (but are afraid to use) and we will overcome our fear of ‘Cutting Up the Pretties.”  This is a hands on sewing class where we will start a notebook of ideas as well as begin an art quilt using our great fabric.
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Evening Lecture:  WALK ON THE WILD SIDE:  Finding Your Style in Contemporary Quiltmaking

 
Friday, October 10, 2014       7 – 8 pm          $10
George Preston Rec Centre,
20699 – 42 Ave, Langley, BC
Sponsored by SAQA BC
This evening lecture is Pat Pauly’s irreverent look at her own work and career, with its lucky beginnings and twists and turns.  After having diverged several times to accept positions in other aspects of the design profession, she cane back to full time contemporary quilting, where she had started in the early 1980’s.  All is far game for inspiration and comment as Pat presents more than 400 images in the space of an hour; you will never think of the word “quilt” in the same way, again.
Interested?  Registration for the workshop is limited to 20 participants, evening event – 100.     
 
Need additional information?  or to register contact:  Jennifer Cooper      coopernordic@gmail.com