Creative Strength Training Workshop with Jane Dunnewold

REGISTRATION OPEN FOR SDA MEMBERS!

2016_01Dunnewold Creative Strength Training Workshop                 with Jane Dunnewold

Prompts, Exercises, and Personal Stories for Encouraging Artistic Genius

Friday, August 19, 2016

9:00 – 4:00

Seattle Pacific University

Third Avenue West & Nickerson Street, Seattle

 

OFFERED AT A SPECIAL RATE OF $95 FOR SDA MEMBERS ONLY

Note! Registration opens to the public at a rate of $125 after May 30.

 

-and another special opportunity-

 

PhotoJanePrivate 40-minute Critique Sessions with Jane Dunnewold

Saturday, August 20, 2016

Time slots to be chosen or assigned

At a private studio in Richmond Beach, 15 minutes north of Seattle

Discover a deeper connection to your creative self in this one-day workshop with internationally renowned artist Jane Dunnewold, on tour to help artists build creative stamina, dismantle their inner critics, and approach their art with more joy. A popular teacher, Jane’s lecture features prompts and exercises from her newest book, Creative Strength Training, with an emphasis on creating work that is uniquely yours. Play and work at the same time!

The workshop costs $95 for current SDA members, and early registration is encouraged; participation is limited to 20 students

Move your art forward with a one-to-one critique session with Jane at a private art studio in Richmond Beach. In this 40-minute session she will work with you to develop goals for your future work based on current interests and projects. This is an informal conversation to discuss ideas, direction, and works in progress. An emphasis on supportive and authentic discussion will inspire you to take your art to the next level.

Critique Sessions cost $60, and participation is limited to 8 artists.  You do not need to take the workshop to sign up for a critique session.

WORKSHOP REGISTRATION PROCEDURE

Please make checks out to Surface Design Association and then send your checks in the proper amount to Julie Moberly at:

4111 East Madison Street, #129                                                                                                             Seattle, WA  98112

    $95 Creative Strength Training Workshop, Friday, August 19, 2016

OR

    $60 40-minute Critique Session, Saturday, August 20, 2016

OR

    $155 Workshop AND Critique Session

IMPORTANT: Include your email address and cell phone number with your check.

CRITIQUE REGISTRATION PROCEDURE

Contact Sharon Rowley (sharon@rowleyart.com) for available critiques slots between 9 am and noon, and 1 and 4 pm. Follow-up with payment to Julie at the address above. Your slot will be held for 2-3 days and released if your check is not received in that time.                  Your payment will be acknowledged by email.

Registration will be handled on a first-come, first-served basis until May 30, when registration opens to the public (The CST workshop is $125 for non-SDA participants) Payment by check is required to confirm your space.  If registration exceeds capacity, we will create a waiting list.

Refunds will be made up to 30 days in advance of the workshop (July 20, 2016); transfer of place is not available.

A supply list for the workshop will be emailed with confirmation of registration, and a short assignment will be emailed for those participating in the critique sessions.

Questions? For questions about the workshop, email Julie Moberly at julie.moberly549@gmail.com; for questions about the critique sessions, email Sharon Rowley at sharon@rowleyart.com

Tips on Shipping Your Artwork for the SDA WA Fiber Fusion Exhibition

Tips on Shipping Your Artwork for the SDA WA Fiber Fusion Exhibition         by Vicki Gerton

I would like to thank Laura Russell at 23 Sandy Gallery in Portland, OR for most of these very good ideas on shipping artwork!

Since this is a traveling show, your shipping boxes will be carefully stored while your artwork is on exhibit and your artwork to be stored inside your own box between venues and for transporting to the next venue.

no bubble mailersno packing peanutsshipping-boxsshipping tubes

PACKAGING

  • Ship your artwork in a sturdy box or a tube, not in bubble mailer or envelop. This box or tube should be sturdy enough to last through round trip shipping and the travel between venues.
  • Inside the box or tube, place your artwork in a plastic bag, allowing a margin all around inside the box. Pad this margin with bubble wrap or other padding material.  DO NOT USE PEANUTS–they make a mess.  If you use tape, use low tack tape (blue painting tape works well).  Do not use clear packing tape which must be cut with scissors or a knife risking cutting your precious artwork.

blue painters tape                    No Duct tape

  • Label your packing material with your name and title of the piece.
  • Include a packing slip inside the box with your name, address and contact information, the recipient’s address, title of your artwork(s), quantity sent, retail price or insurance value. Also include a photo of your artwork for quick identification of what artwork goes in your box (low resolution or snapshot is ok).
  • If your piece requires special instructions for hanging, include these in with the packing slip.
  • Check with shipper as to tape requirements on outside of box. Never use duct tape because it does not adhere properly to cardboard.
  • You must also include a prepaid return shipping label so your artwork can be shipped back to you after the showing in the last venue.

 

SHIPPING

  • For the least expensive ground shipping, plan to ship a week before the work needs to arrive at destination. If you ship on a Monday, your artwork will probably spend the least time in transit.
  • FedEx Ground is good and they provide excellent tracking. You will be able to generate a pre-paid return label.  FedEx also has a shipping time calculator to help you know when to send your package off.
  • United States Postal Service (USPS) is another good option. There is some tracking on priority packages.  However, they will not be able to generate return shipping labels in advance.  You can buy enough stamps, but that requires standing in line for any package over 13 ounces.
  • UPS is OK but some report problems.
  • FedEx and UPS allow you to open an account online. You can create shipping labels online and have your credit card billed.  You can also print your return label and you will not be charged until your package is actually sent back to you.  You weigh your package yourself on your studio or kitchen scale.

 

INSURANCE

  • You are responsible for any insurance you wish to put on your artwork during the shipping to and from the Fiber Fusion Exhibition.
  • FedEx will not insure over $500 value.
  • To collect any claims from the shipper you will need to prove the value of your claim. Some shippers only pay materials, and some will pay only the wholesale value.
  • Some retail shipping services have third party insurance services.

 

SDA Newsblog sources for packing your art

 

[Hot Tips on Shipping Your Artwork.jpg} Hot Tips on Shipping Your Artwork http://www.surfacedesign.org/newsblog/hot-tips-on-shipping-your-artwork by Patricia Malarcher who is a studio artist and independent writer and Editor of SDA’s quarterly Surface Design Journal for 18 years (1993-2011). She lives and works in Englewood, New Jersey.

Member Activities Update for April 2016

Hi SDA-WA

As always, our members are an active bunch (that’s part of what makes them so interesting!).

Member Activities:

—————————————-

Danielle Bodine

Changelings (group- 2nd version) 1A6A0610

Danielle Bodine will be exhibiting her fiber sculptures along with Gordy Edberg’s paintings in a two-artist show at MUSEO Gallery on Whidbey Island.  Please join the artists for the opening reception Saturday May 7th, 2016.  From 5pm to 7pm.

The show will be held from May 6th through May 29th, 2016

Museo is located at:215 First Street (PO Box 548)
Langley, WA 98260

For more information about MUSEO or the show, please contact# 360-221-7737 or see their website: www.museo.cc

You can also find more information on Danielle’s site:   www. Daniellebodine.com

 

   —————————————-

Patti Shaw

Patti Shaw’s piece “Up In Smoke” made the Materialities Catalog AND is featured at the top of this month’s SDA Fiber & Fabric eNews!  (her piece is 3rd from the left!).  Congratulations Patti!

7080bc38-041b-42fb-9aee-55bf3887bef0

—————————————-

Lois Gaylord          Arts North Studio Tour

Hand-Dyed-Shawl-500x500 lois gaylord Lois Gaylord and her husband Kevin Cain would like to invite you to join us at ‘Sun-House’ studios, part of the 2016 Arts North Studio Tour in North Seattle. The Spring tour is on April 30th & May 1st, from 10:00 a.m. – 5:00 p.m. Visit 11 art studios hosting guest artists. View artwork and artisan creations. Chat with artists, learn more about the the creative process!    Visit the website to download a map.

Lois is also excited to announce that her piece “Tree of Life” will be part of the 2016  Liturgical & Sacred Art Exhibition at the Springfield Art Association, Springfield, IL 62702 Dates: April 30 – May 28, 2016.  The Exhibit is part of The Liturgical Arts Festival of Springfield. It is a non-profit, inter-faith organization, that was founded in 1995 by clergy, artists and community volunteers interested in expressions of spirituality in the arts. This inter-faith celebration of the arts is presented every two years and has evolved to include a juried liturgical and sacred art exhibit, music celebrations of faith held in local houses of worship, and sharing of religious traditions. http://www.lafspringfield.org

Lois will be the Guest artist at The Fiber Gallery for the PhinneyWood’s BIG art walk on Friday, May 13, from 6-9 p.m. and Saturday, May 14, from noon to 5 p.m.   8212 Greenwood Avenue North, Seattle, WA 98103

Originally a stand-alone annual event, The BIG One is now the centerpiece of the monthly Art Up PhinneyWood art walks, held the second Friday of each month.  The BIG One usually includes 70+ venues and 150+ artists. Because of its long history, it attracts hundreds of art walkers. Friday night, in particular, is a festive occasion and becomes a “neighborhood party.”  For more information, please see: https://artupphinneywood.com

Two opportunities to ‘Get your Geek on’ in June. Lois Gaylord and her husband Kevin Cain will be returning to ODDMALL: Emporium of the Weird in Everett.   The next big show takes place June 4 & 5, 2016 at the Holiday Inn, Downtown Everett,Wa. Conveniently located off I-5. Oddmall features over 130 of the Pacific Northwest most unusual, most talented, most bizarre Artists, Crafters, Authors, Entertainers and more! Oddmall is a cosplay friendly event! We encourage uniqueness with out visitors and vendors. Come spend the day with us in the Emporium of the Weird! Always free admission and plenty of free parking.   In addition to over 130 vendors, Oddmall features a stage with live entertainment all day long. A very special area called Fairy Hollow featuring Fairy Princess Lolly, a Fashion Show presented by Dames for Dreams and more!

We will also be at ODDMALL ALLEY at the Georgetown Carnival. Seattle,WA  SATURDAY JUNE 11, 2016: 10am – 10pm Over 10,000 in attendance! Oddmall in partnership with the Georgetown Merchants Association is offering 20 premium booths for this years Georgetown Carnival. All of the Oddmall booths are located on Nebraska St. The only way to get to the new Clown Town and the beer garden is to travel down Nebraska St. Last year, The Georgetown Carnival had over 10,000 attendees and it continues to grow each year.

EVENTS —————————————-

cuttingedge1020x466_001A show not to miss–“Cutting Edge”, an exhibition of the Contemporary QuiltArts Association at the Washington State History Museum  (http://www.washingtonhistory.org/), 1911 Pacific Avenue, Tacoma, Washington from April 16 to August 21, 2016.  The museum has done an exceptional job at displaying the quilts beautifully.

 

The following are a sampling of SDA WA members pieces in the show (and comes from the CQA Website):

04/25/16 Our apologies – we somehow left out SDA-WA member Katherine Sylvan!  Her wonderful art is also included in this lovely show!!

SylvanK_AndDances_309x520“…And then my heart with pleasure fills and dances with the daffodils.” by Katherine Sylvan

Artist Statement: My mother’s name was Margaret and her favorite flower was the daffodil. This piece is a memorial to her and a tribute to a time, long gone, when children learned verse which brought comfort and joy into their later years.

Materials & Techniques:
Materials: silk; Lanaset, Procion and Vat discharge dyes; textile paint; thread; Misty Fuse. Techniques: dyeing, silk screening, multiple layers of color discharge and over dyeing; stenciling; applique; hand painting; interlacement of two pieces of silk
Dimensions: 38″W x 64″H
Photographer: Robert Block

VincentR_OnMove_480

“On the Move” By Ruth Vincent

Artist Statement: Continuing my cosmological landscape series, this triptych is inspired by the movement of people across the land–from traditional aboriginal migration to modern-day touring from Sydney to Adelaide.

Materials & Techniques:
 Materials: Hand-dyed cotton fabric, cotton thread, polyester batting, fusible interfacing, commercial printed cotton backing. Techniques: Procion dyeing, textile paint stamping, discharge paste dye removal, piecing, quilting.
Dimensions: 74″W x 30″H

StehrC_Dentciles2_480x400 “Denticles 2” By Carla Stehr

Artist Statement: Although shark skin looks smooth, it is covered with tiny tooth-like denticles that can only be seen with a microscope. This is inspired by an image of dogfish shark skin denticles that I photographed with a scanning electron microscope during my career as a Fisheries Biologist.

Materials & Techniques:
 Materials are cotton fabric, stiff interfacing, wool batting, fabric paint and Liquitex ink. Faced openings were made in the quilt sandwich and then it was quilted with polyester thread. Layers of diluted paint were added after stitching. Stiff double-sided fusible interfacing was used to form the denticles. A grey patterned batik fabric was sewn over the denticle shape (much like facing a collar). Ink and paint were applied to the denticles to enhance the batik fabric. Denticles were inserted through the quilt openings and stitched to a backing of painted fabric.
Dimensions: 35″W x 29″H x 1.5″
Photographer: Carla Stehr

 

OSteen_Trees1_322x480“Trees 1”By Barbara O’Steen

Artist Statement: Whether you see this art as two tree trunks, one hollow stump or something else, the image and words are meant to convey a message of the value we receive from trees standing in a forest; providing oxygen that replaces poisonous carbon dioxide for decades.

Materials & Techniques: 
Fabrics of wool, cotton pique, cotton/polyester, satin, and cotton batting. Appliqué by hand and machine embroidery and couching with yarn, weaving, knitting, crochet, stuffing, trapunto, quilting.
Dimensions: 25″W x 36″H x 2″D
Photographer: Barbara O’Steen

 

 

 

KurjanJ_RiverofLight_480x“River of Light” By Janet Kurjan


Artist Statement:
 I find inspiration in patterns from nature, such as light coming through the trees during a walk in the woods.

Materials & Techniques:
 Hand-dyed fabric, machine-pieced, machine quilted with a walking foot.
Dimensions: 52″W x 68″HPhotography: Ken Wagner

 

 

 

 

FallertC_WatchMaster_480“Watch Master” By Caryl Bryer Fallert-Gentry

 


Artist Statement: 
On any given evening during my growing-up years, you could find my father at his watch-repair bench in a corner of our home, working among draws filled with tens of thousands of sparkling, nearly microscopic watch parts, springs, screws, balance wheels, jewels, stems, faces, hands, and crystals. When he died at the age of 103, the twelve-drawer cabinet which sat next to his workbench, still contained all its tools and glowing little parts, organized in rows of tiny tins, capsules, and clear plastic boxes.

Materials & Techniques: 
Original photography, digital printing, watch movements, watch faces, cotton fabric, wool batting, polyester thread. This is a completely double sided piece.
Dimensions :53″W x 53″H
Photographer: Caryl Bryer Fallert-Gentry

 

Other SDA Members in the show:

Patti Bleifuss

Bonnie Buckman

Ginnie Hebert

Melisse Laing

Margaret Liston

Barbara Nepom

Helen Remick

Lynne Rigby

Sharon Rowley

Digital images at http://www.contemporaryquiltart.com/ExhibitFiles/CuttingEdge.html.

 

 

 

 

 

 

Fiber Fusion Exhibition Venue at Allied Arts Gallery at the Park

Fiber-Fusion-Logo-Web-400x484Yes, it is really going to happen!

SDA WA is going to have a traveling exhibit!

Whether one of your pieces has been accepted in the Fiber Fusion Exhibition or you just want to see the show,  you need to make your plans now to travel to Richland, WA and the Allied Arts Gallery in the Park for the first venue of the traveling show.  The opening reception will be held June 5, 1-3 at the Gallery in the Park, 89 Lee Blvd., Richland, WA 99352.  Awards will be presented and juror Layne Goldsmith will speak about the jury process.   Come expecting beautiful weather in Richland where the temperature ranges from a high of 78˚F and a low of 52˚F, cooling off delightfully at night.  The exhibition runs June 1-23.

Recommended Places to Stay

Hampton Inn, 486 Bradley Blvd, Richland.

HamptonInnRichland

Hampton Inn

For your convenience we have reserved 10 rooms for June 3 and 4 on the river side of this hotel at $159/night for a double queen or $139/night for a king. 

This hotel is a half block from the Allied Arts Gallery.  Don’t wait ─ this is a very busy weekend.  You make your own reservations with your own credit card, no minimum minimum nights stay.  To get the group rate, specify SDA WA; the rooms will go back into general availability after May 10.  Call 509-943-4400 or reserve online at http://hamptoninn.hilton.com/en/hp/groups/personalized/P/PSCRLHX-SDA-20160603/index.jhtml?WT.mc_id=POG

 

Red Lion Hanford House, 802 George Washington Way, Richland.

On the Columbia River and a half block the other way from Allied Arts Gallery.  Call 509-946-7611.

 

Shilo Inn, 50 Comstock, Richland.

On the Columbia River and a 5 minute walk to Allied Arts Gallery.  Call 509-946-4661.

 

Days Inn, 615 Jadwin Ave., Richland.

A 10 minute or less walk to Allied Arts Gallery.  Call 509-942-9400.

 

Homewood Suites by Hilton, 1060 George Washington Way, Richland.

A 15 minute or less walk from Allied Arts Gallery.  Call 509-371-1550.

 

What to Do in Richland?

  • RichlandWalkway

    Riverwalk

    Take a SDA WA sponsored workshop.

  • Walk the 22 mile Columbia Riverwalk.
  • Walk to the 28 or so restaurants, bakeries, cafes, and bars within a 15 minute walk of your hotel.
  • Tour some of the over 200 wineries in the area. Drive yourself or book a tour through A+ Pacific Limousine service at http://www.limo01.com/winetours.html, 509-585-7717; or Four Star Limousine tours, http://www.fourstarlimos.com/wine.html, 509-521-7849; or http://www.fruitofthevinetours.com, 509-546-1044.
  • Take a kayak or canoe tour on the Columbia River. Call Columbia Kayak Adventures at 509-947-5901, http://www.columbiakayakadventures.com.
  • Visit the USS Triton Submarine Memorial Park, Port of Benton Blvd., Richland 99354.
  • Visit the Hanford Reach Interpretive Center, 1943 Columbia Park Trail, Richland, WA 99352. For hours call 509-943-4100, http://www.visitthereach.org.
  • Visit the Richland Farmers’ Market Fridays 9-1, corner of Lee Blvd. and The Parkway, a 10 walk or less from the recommended hotels above.

Richland

 

For More Information, please see:       http://www.visittri-cities.com

The Results are In!- Fiber Fusion Exhibition

The jury for the WA SDA Fiber Fusion Traveling Exhibition met last

Fiber Fusion Jury and Helpers from left to right: Carla Stehr, Barbara Matthews, Young Chang, Layne Goldsmith, Rock Hushka, Christina Fairley Erickson

Fiber Fusion Jury and Helpers from left to right: Carla Stehr, Barbara Matthews, Young Chang, Layne Goldsmith, Rock Hushka, Christina Fairley Erickson

week and it’s been a non-stop flurry of activity ever since!  We had an incredible response to this call for art from our members (246 pieces entered) and an amazing collection of art!

Here are the artists and pieces accepted into the 4-gallery traveling exhibition:

Mary M Ashton:  Waterfall

Liz Axford:  Counterpoint 1

Lanny Bergner:  Craters of the Moon

Judith Bird: Zambia

Patti Bleifuss: Dust Devils

Danielle Bodine: Maiden Voyage

Arisa Brown: Trepa – Self

Bonnie Bucknam: Sea Cave

Debra Calkins: Tulip Bowl

Flora Carlile-Kovacs: Waves

Erika Carter: Ponderings VII

Maris Cavanagh: Dressed to the Nines- Victoria

Maura Donegan: 1+1+1

Crystal A Edwards: Galaxy

Christina Fairley Erickson: In Flight

Caryl Bryer Fallert-Gentry: Fossil Fantasy #1

Vicki Piper Gerton: Peaceful Meditation

Gay Jensen: Rift

Claire B Jones: Whole Surface: Vitality 2

Cheryl Kamera: New Wave

Kindy Kemp: Rainier

Janet King: Geo Vessel

Melisse Laing: Match Sticks

Donna Lark: Bearded Teapot

Leslie Levenson: Maple Tree

Margaret Liston: Three Birds with Black

Nancy Loorem Adams: The Birth of the Grid

Gwen Lowery: Wheels

Kathy Mack: Going to Town

Barbara Matthews: Happier Days

Dorothy McGuinness: Zig Zag 4

Jeannie McMacken: 11-13-15 Dinner at La Belle Equipe Smoke Dress

Hazel C Monte: As It Is and Should Be

Roberta S Nelson: Adaptation

Barbara Nepom: Corners of My Mind 1

Gabi Nirino: Fleco

Mary O’Shaughnessy: From Whence They Came

Francesca Penchant: Doom

Seiko Atsuta Purdue: Bullet Cloth VIII

Barbara Ramsey: Collapsing Log Cabins: How the Light Gets In

Claire Renaut: 4 Knitted Pieces

Patricia Resseguie: Life Goes On Series Stanza 602

Sharon Rowley: Prayer Wheel

Laura Stangel Schmidt: Winter Poem: Stanza 2

Susanne Scott: Water, Water

Angelica Sta. Teresa: Exercise 4

Deborah E Taylor: I Like the Way You Dance

Larkin Jean Van Horn: Chaos Theory

Rebecca Wachtman: A Resinable Trio

Geraldine Warner: Cryoscape

Gale Whitney: Meltdown

Anke Wildman: Composition 12

Joyce Wilkerson: Cloth Shadow Line

April Works: City Nightlife

________________________________________

The following alternate selections were chosen to be included on a space-available basis for each gallery, and are confirmed to be shown at the Schack Art Center:

Maura Donegan: 3×3

Cheryl Kamera: Silver Dots

Margaret Liston: Twelve Birds: Not to Scale

Gwen Lowery: Aurora Tower Trio

Helen Remick: Les Fleurs de la Maladie 6

Patricia Resseguie: Life Goes On Series Stanza 603, Life Goes On Series Stanza 604, Life Goes On Series Stanza Tryptych

Cicelia Ross-Gotta: Shirtbirds Waiting

Angelica Sta. Teresa: Exercise 1, Exercise 2, Exercise 3

Carla Stehr: Microscape 3

______________________________________

Considering the number of entries and the various sizes of our galleries, the Fiber Fusion executive board decided to have the jury pick out additional pieces to be shown at our final (and largest) gallery: the Schack Art Center. These pieces were selected to be added to the Fiber Fusion exhibition at the Schack:

Liz Axford: Counterpoint 3

Lanny Bergner: The Starlight Within

Judith Bird: Stripes

Erika Carter: Ponderings IX

Fine Gelfand: Shroud for a Memory, transparent quilt

Vicki Piper Gerton: Vineyard Twilight

GJ Gillespie: Forever Young

Faith Hagenhofer: Abundance

Ginnie Hebert: Serenity

Anne Jarnagin: Wood Head

Claire B Jones: Outburst

Leslie Levenson: Oso – March 22, 2014

Nancy Loorem: Adams Random Acts

Hazel C Monte: “Wanderlust” Booklet

Barbara Nepom: Aligned?

Claire Renaut: spreading, sporing

Sharon Rowley: Four Faces of Compassion

Deborah E Taylor: Arcane Pathways

Mary Tyler: Rings Around the Moon

Cathie Wier:  Mycelium: Resilient Community

Joyce Wilkerson: Stitched

______________________________________________

We appreciate all our WA-SDA artists who put themselves out there and submitted artwork for the traveling show and hope we’ll see much more in the regional shows coming up (remember, your work is still eligible for the regional show in your area!).

Congratulations to all of our accepted artists… we’ll post photos of accepted artwork in the future!

WORKSHOP PROPOSALS (for the Fiber Fusion Show)

Fiber-Fusion-Logo-Web-400x484

Greetings!

After the wonderful response to the 2016 traveling exhibition, we now ask
you to turn your attention to our call for instructors.

Will you share your skills and techniques?  Have you a particular method
you would like to teach? We would like a good variety of classes, so if you
have some unusual ideas please let us know.

There will be wet and dry facilities available. You can apply to one event
or all four. Children’s and adults’ classes, or short workshops. Take your
pick! We look forward to hearing from you and finding new skills to master.

Surface design Association website has several resources for teachers,
including class planning and activities. See the following link for details
http://www.surfacedesign.org/teach-learn/resources-educators

Deadline for teacher proposals for Richland show in June is April 8 For
full information on making a proposal go to:
https://surfacedesignwa.com/2016/03/10/teacher-proposals-needed-for-fiber-fusion-show/

SDA-WA Member Activities – 03/29/16 Updates

Member Activities

Hi SDA-WA!

We love highlighting our member’s activities!!  If you would like your activities and events posted on our blog or Facebook page, please send an email to  blog.surfacedesignwa@gmail.com with your event or activity information, your contact info, and a good photo or two or three of your event, activity, art, or yourself!

 

Save the Date, Jane Dunnewold will be in the Seattle area to conduct a workshop on her newest book Creative Strength Training.

The one day workshop will be heldSaturday, August 20, 2016. The following day will be for individual critiques. More information soon. Interested in helping plan for this event? Please email me bjmatthews76@comcast.net.

 

Member Mary Ashton is in an upcoming Show At BallardWorks!

BallardWorks Exhibits “Making a Statement”
Saturday, April 9th, 2016 6:00pm-9:00pm
B
Mary M Ashton's photo.allardWorks, 2856 NW Market St., Seattle 98107

“Making a Statement” exhibits Artwork and Artist Statements from Artist
Trust EDGE graduates, 2013-2014. Participating artists: D.Lisa West,
Andie Styner, Ellen Hochberg, Isobel Davis, Mary Ashton, Anita West,
Susan Derrick, Louise Hankes, Kip Kania, Melissa Koch and John Webster.

If you are not familiar with the term “artist statement” the following
Is a definition by Ariane Goodwin, author of “Writing the Artist
Mary M Ashton's photo.Statement.” “Like the art that it reflects, an artist statement uses its
sincerity of purpose and its purity of intent to create a powerful
word-reflection of the art and the artist.” Come and enjoy the art and
the artist statements of this group and see if the statements
accompanying the art cause you to see the art in a new light.

Three floors of art studios and exhibition spaces open for the Art Walk
Saturday, April 9th, 2016. Open 6:00-9:00 pm only. Families with kids
welcome. Enter through the 1st or 2nd floor doors on 30th Avenue.
Includes painting, wood working, sculpture, wearable fiber art,
encaustics, print making and more, all under one roof.
www.ballardworks.com.

REMINDER:

If you’re interested in teaching a class (or two or three) during the travelling Fiber Fusion show, we are still accepting applications!  The first location – is in Richland, WA…and the due date April 8th, 2016 for submission/proposals.

For more information, please see our previous post:

https://surfacedesignwa.com/2016/03/10/teacher-proposals-needed-for-fiber-fusion-show/

 

Fiber Fusion Received 245 Entries From 88 Artists!

WOW!   We are blown out of the water! We received 245 entries from 88 artists!

That represents about 40% of our membership! We are pleased that the homegrown entry system developed by Claire Jones worked with very few problems. Thanks to all who entered. It is confirmation that we are doing the right thing. I am thrilled and excited to see your art.

Next steps:

April 5th Jurors meet to make decisions about who is accepted and awarded a prize.
April 16th email notifications of acceptance
May 15th-27th (exact dates to be determined) Art due at Allied Arts
June 1-23rd Dates of the show
Saturday, June 4th Possible Workshop (yet to be announced)
June 5th reception, juror talk with Layne Goldsmith

Here’s An Addtional Opportunity for SDA-WA Members!

We Have A Teaching Opportunity – Call for Proposals

We are excited to provide you with an opportunity to teach and our visitors with opportunities to gain new skills and insights while attending the shows.

Classes will run in conjunction with each of the shows, and we are now looking for instructors to teach a variety of surface design and fiber related classes and workshops at Allied Arts Center and White Bluffs Quilt Museum in Richland WA. Dates are 1-23 June, 2016.
Please Click Here for more information.

If you are interested in teaching at our other venues for Fiber Fusion, a call for proposal will be released in a few months.

    VALA- Redmond  Nov 2016- Jan 2017
    Northwind – Port Townsend Feb 2017
    Schack – Everett March-April 2017
Please send proposals to: event.surfacedesignwa@gmail.com
Due Date (for Allied Arts): April 8, 2016

Fiber Fusion – Entries due March 20!

Fiber-Fusion-Logo-Web-400x484

You still have one week to enter the
Surface Design Association of Washington State 
Inaugural state-wide juried art exhibition by March 20, 2016!

allied arts richland

Allied Arts

This is your opportunity to be seen and celebrated! The first -ever traveling exhibition in the U.S. sponsored by the Surface Design Association will happen in Washington State in 2016-2017!
Premier venues: The exhibition will be hosted by four venues– Allied Arts in Richland; VALA Art Center in Redmond; Northwind Arts Center in Port Townsend; and the Schack Art Center in Everett.

vala-front-of-shop-2

VALA

Impressive Jurors: The jurors for the exhibition are Layne Goldsmith, professor of art at the University of Washington, Young Chang, owner of Gallery IMA in Seattle, and Rock Hushka, Chief Curator at the Tacoma Art Museum.

Generous Size: Wall art can be small or as large as 60” wide by 74” long—let your imagination run

schack

Schack

wild!  Three-dimensional art, wearable art, jewelry, and art cloth will all be considered.  We want this exhibition to showcase the latest in surface design art.

What qualifies:  Art made between 2013-2016 that uses elements of surface design–dyeing, painting, stitching, or in some way creating or altering the surface of textiles qualifies.  Textile here is defined as any natural or artificial fiber or a non-textile

northwinds

Northwinds

element, such as metal, that takes on the properties of fiber or is used in combination with textiles.

Join us and make history by doing something you love.  You can find out more about the exhibition at  SDAFiberFusionShow.org.

Happy Creating!
Barbara
SDA Washington Representative
Sponsored by Surface Design Association  and Surface Design Association of Washington

Teacher proposals needed (For Fiber Fusion Show!)

20150410_144005

As you know SDA Washington Fiber Fusion juried exhibition is quickly approaching. We are excited to provide our visitors with opportunities to gain new skills and insights while attending the shows.

Classes will run in conjunction with each of the shows, and we are now looking for instructors to teach a variety of surface design and fiber related classes and workshops at Allied Arts Center and White Bluffs Quilt Museum, Richland WA.

 Dates are 1-23 June, 2016. 

 If you are interested in teaching in Richland, WA please provide the following information about the class or classes you would like to teach:

Instructor’s information                                                                                                                           Name, address, phone number(s)                                                                                                           Bio and/or resume

Class/Workshop information 

Class Title:                                                                                                                                                                             Class Description:                                                                                                                                                Target audience: children (give age range)/ adults/ artists                                                                   Skill level (any prerequisites required?):                                                                                                 Supply list (what students need to bring):                                                                                                Room requirements and equipment needs:                                                                                     Class fee (both what you’d like to be paid and an estimate of what you think should be charged for the class)                                                                                                                                Materials fee and what it provides (students to pay):                                                               Maximum and minimum number of students                                                                                Length of class (eg. 3hrs; 2 days):                                                                                                                Dates available/preferred:

Would you also like to submit this class to our other venues for Fiber Fusion?

VALA- Redmond  Nov 2016- Jan 2017                                                                                                Northwind – Port Townsend Feb 2017                                                                                              Schack – Everett March-April 2017

Please send proposals to:  event.surfacedesignwa@gmail.com

 

 Due Date (for Allied Arts): April 8, 2016

 

maura

Maura

This will be a wonderful opportunity to share your talents and processes with those who share our passion for fiber arts. We look forward to hearing from you.

 

Maura Donegan

Education Director, Fiber Fusion